LunARC on board Firefly Aerospace’s Blue Ghost Mission 1 flies to the moon with 30,000 digital artworks

Blueghost Mission 1 lander… image from lunar surface
| Photo Credit: Special Arrangement

March marked a milestone in private space exploration as Texas-based Firefly Aerospace successfully landed its first robotic spacecraft, the Blue Ghost Mission 1 lander, on the moon. This technological feat was also a defining moment for art, as the lander carried the LunARC mission, a collection of 30,000 digital artworks, to the lunar surface.

Diverse voices

Brahmaputra by Sunrise by Priyanka Das Rajkakati
| Photo Credit:
Special Arrangement

These artworks, gathered from 40 countries, including India, were part of the Lunar Mission 1 – Community Art Gallery project. They represented diverse voices — marginalised communities, refugees, people with disabilities, and even laypersons who never imagined their work would be part of a lunar mission.

Importance of inclusivity

LunARC, a US-based non-profit initiative founded in 2022 by Lakshmi Karan and Topher Wilkins, has partnered with non-profit organisations worldwide. A significant portion of the artworks from India was collected through a campaign led by NGO Pratham.

Lakshmi Karan 
| Photo Credit:
Special Arrangement

“It was thrilling! We made history together,” says Lakshmi Karan, co-founder of LunARC. Over an email from Portugal, she explains that the mission is part of Phase 1 of their Lunar University goal, aimed at inspiring global communities to engage with space exploration. “The objective is to emphasise inclusivity—that space is not just for those with significant resources but for everyone,” she says.

Launched in the summer of 2023, the project also invited renowned artists to contribute. Among them was aerospace engineer and artist Priyanka Das Rajkakati, who submitted her artwork Brahmaputra by Sunrise. Notably, her earlier piece, Bhédadīpikā – An Illustration of Duality, was also part of the Moon Gallery project sent into space.

Nanofiche with LunArc gallery
| Photo Credit:
Special Arrangement

The creative exercise encouraged spontaneous expression, with participants — aware of the mission — submitting artworks that inspired them. Among the diverse themes, the majority centred around the moon and space exploration, reflecting a shared fascination with the cosmos.

Space exploration

The art project faced no technological hurdles, as the collected digital images were sent directly to LifeShip, which integrated them into Nanofiche—an advanced archival storage technology with an exceptionally high capacity. These were then placed into the LifeShip Pyramid payload.

Priyanka explains, “This highlights the scale and complexity of space projects, where ‘space’ itself is a constraint due to high mission costs, fuel optimisation, and the challenge of executing a soft landing on the Moon. Innovations like Nanofiche at least offer a platform for broader participation in space exploration.”

A milestone

Priyanka Das Rajkakati
| Photo Credit:
Special Arrangement

Based in Toulouse, France, Priyanka’s work bridges art, technology, and business intelligence, focusing on building flood warning systems and hydro-intelligence. A physical version of her artwork, Brahmaputra by Sunrise, is displayed at the office of vorteX-io, where she leads special projects. This piece also marks a personal milestone for her, having exhibited across seven continents over the past 11 and a half years.

Priyanka takes pride in her fusion of art and technology, culminating in a piece that now sits on the Moon alongside many others. “It’s fascinating that this collection has a strong Indian presence, with many Indian-origin women leading the project. The Moon, a place largely devoid of water, may serve as a reminder to cherish this vital resource. And let’s not forget—it was ISRO’s Chandrayaan-1 that first detected water on the Moon. The future is indeed ours.”